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Shooting Fuji Eterna 250D

Havelock North, NZ
These photos of Havelock North (as viewed from Porters Boutique Hotel) were shot on Fuji Eterna 250D, a motion picture film I purchased from the UK. Introduced in 2006 as Fuji expanded their Eterna motion picture line, Eterna 250D features exceptionally fine grain thanks to the same Super Nano-Structured Σ (Sigma) Grain Technology that Fuji […]
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The Trouble with Scanning Redscale Film

portrait
The trouble with scanning redscale film is that the scanning software will try to correct for the red and yellow color cast in the images. The resulting images are often washed out and grainy and require manual correction to get the expected redscale look. I use VueScan and Negative Lab Pro to scan and convert […]
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Shooting Fuji Eterna 400T

Nicari Acrobats
This is Fuji Eterna 400T, the third of four rolls containing Fuji motion picture film I purchased from the UK. Introduced in 2006 as Fuji expanded their Eterna line, this tungsten-balanced motion picture film features natural colors, smooth skin tones, and enhanced shadow detail made possible with Fuji’s Super Nano-Structured Σ (Sigma) Grain Technology. Eterna […]
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First Impressions of the Zeiss Ikon Signal Nettar 518/16

Zeiss Ikon Signal Nettar 518/16
This is my first roll through the Zeiss Ikon Signal Nettar 518/16 and I’m impressed! Until I bought this camera, I didn’t think folding cameras were anything special, but I was wrong. The Signal Nettar features a sharp lens, is easy to use, and was a lot of fun to shoot. The Signal Nettar is […]
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